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An even more special ‘Boston Med’

by Aaron Barnhart on July 21, 2010

Kim Parks, Marvin Pollet

You’ve already read in this space about the remarkable series “Boston Med” (10 pm ET Thursday, ABC), culled from nearly two years of round-the-clock filming at three prestigious Massachusetts hospitals. This week’s is a particularly noteworthy episode, and not just because it features Kimberly Parks, a cardiologist who is a 2001 graduate of Kansas City University of Medicine and Biosciences.

It’s her patient, Marvin Pollet, who’s the real draw here. Pollet needs a new heart, and when we first see him at Mass General, it’s clear his old ticker is failing.

“My job is to make sure Marvin stays alive,” Parks tells the ever-present cameras. She’s just emerged from a meeting with her peers, where she’s convinced them to move Pollet to the head of the waiting list for heart transplant.

“Now it’s time,” she adds, “to start putting pressure on the surgeons.”

And so it goes: Parks in terrier mode, knowing her patient has weeks to live, Pollet and his wife trying to keep calm while nothing happens, and as for those surgeons, one of them turns to Parks, with the bemused look only a person who deals with life and death every day can muster, and says, “What do you want me to do, shoot someone?”

It’s a roller coaster of emotions in that turbulent middle ground where real-life drama takes place, good followed by bad followed by good. Parks is affected in ways she admits she’s never been affected before — and you may be saying the same thing afterward.

***

"Mythbusters'" Adam Savage hid in this "Futurama" outfit and roamed the floor in 2008.

Comic-Con International begins with a sneak preview tonight. For the ten of you who don’t know, it’s the annual gathering in San Diego of movie producers, video-game makers, TV stars, software companies, vampire genre fans, 3-D geeks … am I leaving anyone out? Oh, right: the comic-book industry.

From its swap-n-shop beginnings four decades ago, Comic-Con has morphed into the country’s largest popular culture festival. Attendees wander the vast corridors of the Convention Center dressed as their favorite anime characters or in steampunk garb, while inside the even vaster ballrooms, the casts of such shows as “True Blood,” “The Big Bang Theory” and “Mythbusters” produce screaming throngs.

You’ve perhaps read about all the fantasy-genre films coming to San Diego to bask in the glow of Comic-Con’s uniquely intense spotlight, like “Tron: Legacy,” “The Green Hornet” and “The Goon,” as well as the possible appearance of Hollywood’s first couple, Brad Pitt and Angelina Jolie. However, it’s worth noting that the bookend events this year are television shows.

Wednesday’s “preview night” will unveil the new CW series “Nikita,” a teenage version of the popular ’90s show. And Comic-Con 2010 will close out Sunday evening with a special authorized screening of “Once More with Feeling,” also known as the musical episode of “Buffy the Vampire Slayer,” which was on its way to becoming the “Rocky Horror Picture Show” of its time until the lawyers at Fox started sending theater owners cease-and-desist letters.

In between, more than 70 current TV series will be featured. They include “The Walking Dead,” the Image comic book series by Robert Kirkman that is being turned into a TV series by AMC; “Bob’s Burgers,” the animated comedy debuting in January on Fox; “Teen Wolf,” an MTV series based on the Michael J. Fox movie; and NBC’s “The Cape,” based on the comic about a cop who takes a superhero identity to protect his family.

Other TV shows have clearly come in the hopes of raking in all that free publicity and young-consumer love, like Fox’s “Glee,” and NBC’s “Community.” The gang from the MTV series “Jackass” are holding a party at a local beer garden to promote their upcoming 3D movie. Also here are shows like TNT’s “Leverage,” USA’s “White Collar” and the CBS remake of “Hawaii Five-O,” none of which has much to do with fantasy or science fiction. However, their publicists are well aware of the huge Comic-Con welcome that another USA show, “Burn Notice,” got last year.

My daily blogs from San Diego begin Thursday.

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TV Barn relaunches. Again?

by Aaron Barnhart on July 20, 2010

Nuthin' up my sleeve ... presto! Whoops!

For the past seven months I’ve been redesigning TV Barn. The renovation on my house took less time. But all’s well that ends well. I’ve taught myself enough WordPress to get into trouble — and usually enough to get out of it. I’ve fixed some things that long needed fixing (hi, podcast subscribers!). Above all, I’ve gotten acclimated to a far superior blogging platform than the one I’ve been suffering with for most of the past five years. (By the way, if any TypePad staff are reading this, let me just say that separating Advanced Templates from Simple Templates, and then giving all the goodies to the Simple Template users, was the single dumbest, most alienating business decision I can remember since New Coke. But at least we got Old Coke back.)

I am well aware of what’s it like to try out a new blogging platform with high hopes, only to emerge months later a beaten and broken man. In some ways, the old hand-coded approach that I started with back in 1999 was the simplest. But those were the days when I could scoop the world with something I’d received two days earlier … by fax.

Back then, TV Barn was just called a “web site,” but in 2000, this new service called Blogger came along and coined a new word. I switched TVB to Blogger, and all went well for a month or two, but then the server crashed under the strain of all the people using it. The founder of Blogger, Evan Williams, issued an apology and started begging for money from subscribers so he could buy a new server. I wonder whatever happened to that guy …

But as I say, this one has a happy ending. Here’s what’s new at TV Barn:

  • At least 90 percent of I’ve written over the past 16 years is now online. You can search the whole haystack, or just browse the tags. Currently, you’ll find a tag cloud and search field in the sidebar. I’m slowly adding some of my pre-Star writings as well. Of course, you could just buy Tasteland and have the best stuff without all that pesky searching.
  • If you’ve never received “This Week at the TV Barn,” the weekly newsletter I’ve been publishing since 1994, now’s a great time to join — you’ll get a clean email in your choice of format (HTML or plaintext) with links to every one of my new stories and podcasts, plus those talk show lineups.
  • And I’ve launched a sister site, Crixfix, a metablog that aggregates the feeds from all of my fellow TV critics. I figure that since I’m monitoring and linking to their stories, I should build a site that makes all their stories handy for me. And while I was doing that, I decided to share it with all of you! You’re welcome.

And there will be other new features added once the dust settles.

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Everest block party, October 2002.

This weekend the Star published a report by my colleague Scott Canon updating a story I’d done in 2002 about one company’s attempt to shake the grip of Time Warner Cable on the local market.

Here’s the update in a nutshell:  Time Warner is still Goliath and the challenger is no threat to be David.

Subscriptions to cable and satellite are still growing, and now exceed 90 percent of American homes.

But does that mean that cable channels are as bad a buy in 2010 as they were in 2002? Well, not so fast. Overall, the video market is more competitive than it was back then — and that, I would argue, is why more people subscribe to cable and satellite than ever.

That’s not to say I don’t long for a little more competition in my neighborhood. Back in 2002, I was hopeful that this upstart company Everest Connections would soon be serving my house. It only passed about 10 percent of homes, but those that were lucky enough to get a hookup soon switched their loyalties away from Time Warner. Typical were the Breidenthals, who agreed to host a block party so Everest could spread the love, as I reported back then:

“When I signed up with Everest, I was very happy with it,” Joni Breidenthal said, as neighbors chatted in her driveway and kids raced through her yard.

The family’s cable, telephone and Internet bills used to total $113 a month. Now they pay $66 a month and get more cable channels and a faster Internet connection. What’s more, Everest has credited their bill several times for referring others.

But then Everest’s troubled owner, Aquila Corp., ran out of money and cut back expansion before selling it to private capital. Neighborhoods served by SureWest (as Everest is now called) still seem happy with it. But metrowide coverage isn’t happening anytime soon.

***

Back to the bigger point. If consumers are feeling pinched by cable companies, they have a funny way of showing their anger. Subscriptions to cable and satellite are still growing, and now exceed 90 percent of American homes.

Overall I remain persuaded by the arguments made by the libertarian Adam Thierer, whose work I’ve followed over the years, that the video market is more competitive than ever. In this Congressional testimony this winter, he included a chart illustrating how rivals are eating away slowly at cable monopolies (click to enlarge).

Yes, people are still paying $100 or more a month for cable, but that, Thierer suggests, is because the package usually includes broadband, which allows consumers to view — and upload — videos online. And there are more channels, fewer of which are held by cable companies, meaning the marketplace has more owners and more choice than before.

(At this point in the story, some of you will inevitably wonder why we can’t just go to a la carte cable service. As I’ve noted in the past, doing that would break the business model of all cable channel providers.)

People seem willing to pay more for a lot of things they used to get for free or cheap: phone service, coffee, and TV to name three. But that doesn’t mean these things aren’t good values.

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The latest stories, podcasts and videos from Aaron Barnhart. (TV Barn)